When I went to Venice, I had one clear goal: to see the architecture of Carlo Scarpa. His precision, his feeling for materials, the way he connects the old and the new, it always fascinated me. And his projects in Venice did not disappoint. They are sharp, balanced, and full of beautiful details. But what I didn’t expect was that another place would completely change my focus.

There’s something truly special about stepping into an artist’s studio. It’s not just a workspace — it’s a world filled with energy, ideas and raw creativity. You see the paint splatters, half-finished projects, sketchbooks, tools and personal rituals that don’t always make it into the final piece. And that’s what makes it so powerful.

Chmielewska explores one of the most extraordinary architectural achievements of the 20th century. Sculptural, expressive, and rich in colour and curve, the Goetheanum stands as a radical testament to form, philosophy, and design.