Tat London Journal

Films and interiors go hand in hand. They are so closely connected that many of us will have been touched by a film in such a way that it creeps into our lives and our own interiors. I am constantly bewildered by love from my sojourns in the cinema.

As I have surely mentioned before, this is one of my favourite features, although it does tend to get muddled. The houses below span the full spectrum of potential. Some are on their last legs, others need little more than a lick of paint, a well placed painting and some sturdy soft furnishings.

This article is stitched together each week by Charlotte Becque, who works with me at Tat. She diligently sends through the houses, and I cherry-pick, exclaiming with delight at the fruits of her labour. It’s a laborious process — particularly for Charlotte, I suspect — but it has become a fixture of the Tat map. After all, we are the sort of crowd who relish a bargain and can never resist peeking around other people’s properties, so it feels entirely fitting.